Some of the Hebrew in the bible codes is more awkward than regular
prose. This is partly because the bible codes are speaking in riddles, and is
therefore often poetic. (Two thirds of the actual bible is poetry, by the way.)
The bible codes are patterned after the writing-on-the-wall riddle: "Mene,
mene, tekel, uparsin," (Daniel 5). And as poetic riddles, they may not flow
as smoothly as normal. They are not wrong, they are poetic riddles---the
meaning of which is explained by the pictures and the bible numbers, as deciphered in the
book of Revelation. This is the reason why we have gone into great detail
concerning the mene-tekel-uparsin picture bible
code. This bible code is the key to all
bible codes, and its importance is found in how it works more than by what it
says.
However, the main reason the bible codes at times appear awkward is because
we are comparing it to a normal language. However, this is not a normal
language. It uses normal Hebrew, yes; but it is fitted to form pictures, and
these pictures are numerically driven. It is a composite of three languages, and
where it is weak in one place, it is strong in the other. It is these three
languages combined, (i.e., the numbers, the pictures, and the bible-code
sentences),
that we come away with a clear sharp meaning. The pictures, for sure, are certainly not
Rembrandt's, but they are sufficiently clear so as to give a meaningful
impression. Neither are Egyptian hieroglyphics superb paintings---But that is
not the point! The point is this: 'What do they mean?' It is the same way with
the bible numbers: They are awesome in the patterns they produce---but without
the pictures and the sentences of the bible codes, the numbers would be without
definition. (And believe me, the
bible numbers are incredible awesome in and of themselves! If you think that
you already know the bible numbers---think again! What picture bible codes are
to single-word ELS's, is what the revelation
in the numbers is to what has been leaned about them in past-times.) It is the
combining of all three aspects of this one language that yields a very clear
message. The bible speaks of this same principle:
"At the mouth of two witnesses, or three witnesses, shall he that is to die be put to death; at the mouth of one witness he shall not be put to
death," (Deut. 17:6).
In the case of picture bible codes, instead of there being just one expert eyewitness to the scene of the crime,
we now have three separate, yet ordinary eyewitness---Each one of
these three have the same story to tell, but from different
perspectives. In a court of law, the three ordinary eyewitnesses would be far
superior to the one expert eyewitness since the one expert eyewitness may be
lying---but the three non-expert witnesses must be telling the truth since it
would be impossible for all three of them to tell the same lie without
deliberate collaboration.
One may argue that I am the collaborator. I have brought all three witnesses
into agreement by my excited imagination. But how can my imagination be the
source of three witnesses testifying to a very narrowly defined crime---namely
the crucifixion of Jesus Christ? How can my imagination induce three witnesses
to exhume depths of mysteries into His death that are positively wonderful? How
can my imagination force these three witnesses to conspire to reveal the nature
and purposes of His death along lines that at the same time interpret the
surface text from which the Bible code was hidden? And all this in accordance
with the imagery of the book of Revelation!